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Field Notes,

Is the Narrator Nothing or Everything?

BY Véronique Darwin

I didn’t come to writing school to pursue a topic, but to pursue writing, as a craft. From one sentence, I wanted to build the next. I came here to dress myself up in literature. If words were my bones, their cadence my muscle, my body’s movement would be voice, pure voice (okay, my voice).

Interviews,

On Roving, Writing, Reading, Teaching, and Navigating Worlds: Nkiacha Atemnkeng Interviews Téa Obreht

BY Nkiacha Atemnkeng

Wandering appeals to me enormously. I find it to be regenerative and creatively enriching. Like everything, however, it has its downsides. Belonging somewhere takes time. Forming a community takes time. Wandering can make you an outsider to certain kinds of knowledge—which can be tricky for writing. A lot of my work tends to focus on displaced people, or passers-through, people trying to make sense of settings to which they are fundamentally outsiders, and I suspect this is tied to my own experience of the world.

Reviews,

The Smoke is Me, Burning: C.A. Blintzios Sets Fire to Trauma and Dances Around the Flames

BY Bryce Jeter

Blintzios’s enviable economy of language conjures an utterly heart-stopping, breathtaking sensation discovered in the rarest of reading experiences.

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