Photo of Mateo Askaripour


Mateo Askaripour Speaks On Breaking into the Literary World with Black Buck

BY Chris Kubik

When I was thrown into the world of literature, and I started meeting people, it was strange, right, because a lot of people are grinding and hustling day to day, but I was hustling and grinding to just get on and not to make rent. But then came the thought of like, I’m doing a disservice if I’m not talking about the importance of making bread as an artist, especially as an artist of color. This is the fucking game—they don’t want us to talk about how much we’re getting paid for advances.

Image of Kevin Brockmeier and Karen Russell. In the center is the book cover of 'The Ghost Variations'


A Mixtape of Ghosts: Karen Russell in Conversation with Kevin Brockmeier

BY Karen Russell

What the book is most comprehensively about, it seems to me, is human being in conflict with itself—but those words, “human being,” already have a distinct meaning, and it’s separate from what I’m trying to suggest, which is that there’s a part of us that addresses itself to being and a part of us that addresses itself to nonbeing, and in many ways the book is about the tension, the back-and-forth, between those two.

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